review - Polyester The Musical

RECOMMENDED
Polyester The Musical

book by Phil Olson; music: Wayland Pickard

lyrics by Olson & Pickard

Directed by Pickard & Doug Engalla

Actors Forum Theatre

through December 20

Breaking out of routine and treading new ground about sums up my 70s experience; pretty typical, huh? Novelty was a welcome choice back then.

What about the music? Disco, which imitated rock, but found its own unique place in the music world, at least momentarily. It was flashy, but oh so ephemeral. Looking back on it all, the 70s are a tad hard to pin down; they came and went so fast. Wayland Pickard, a relatively conservative pianist/musician and Phil Olson, a comedic writer of far less restraint combine divergent talents to create a cream puff to the 70s, a cute little musical show called Polyester (no relation to the John Waters film), which is loads of fun to watch with a very appealing cast.

Christopher Fairbanks, Pamela Donnelly, Gwendolyn Druyor and Jim Staahl are The Synchronistics, a 70s singing group reunited in 1999 at TV station WKLN for a fundraising telethon. Barry (Fairbanks) and Mindy (Donnelly), the 2 lead singers who were once a team on and off, have split up and much of the dialogue and musical content too chronicle the details of the breakup and serve as an appeal for reconciliation. Peggy (Druyor) factors into the split big time... and Carl (Staahl)? He's a mama's boy with a different set of issues. All four actors work splendidly together and help to fashion a smoothly flowing scenario. Robert Moon plays Lance, the station's telethon emcee, who, with a forced smile and sardonic delivery like Paul Lynde, tears up the scenery as often as he can. It's great fun, but stretched to the max. The whole show would fit much better into a one-act, 75-80 minute format instead of with its current 2 acts. Pickard teases with a few bars of a hit 70s song and cleverly changes the rest to create his new tune. For example, "Shake Your Booty" becomes "Bump Your Booty Rump". And with Olson's fearless approach to lyrics, it all pretty much hangs loose. But those were the 70s and it matches!

Engalla directs with good pacing and Michele Bernath provides some snappy choreography for the foursome.

The innocence of love, of course, wins out in the long run, and everyone leaves the theatre refreshed and optimistic. Good entertainment for our troubled times!

4 out of 5 stars